Richard Eyre’s spirited production of Mozart’s masterful comedy stars bass-baritone Ildar Abdrazakov in the title role of the clever servant, opposite soprano Marlis Petersen as his bride, Susanna. Rounding out the principal cast, baritone Peter Mattei is the philandering Count, with soprano Amanda Majeski as the long-suffering Countess and mezzo-soprano Isabel Leonard as the libidinous pageboy Cherubino. Captured live during The Met: Live in HD on 18.10.2014. The opera is sung in Italian with English subtitles.
Clémentine Margaine is opera’s ultimate seductress, opposite Roberto Alagna, who captivated Live in HD audiences as Don José in 2010. Louis Langrée conducts Sir Richard Eyre’s lively production, a favorite in the Met’s repertoire.
One of the most popular operas of all time, Carmen “is about sex, violence, and racism—and its corollary: freedom,” says Olivier Award-winning director Richard Eyre about his new production of Bizet’s drama. “It is one of the inalienably great works of art. It’s sexy, in every sense. And I think it should be shocking.” Elīna Garanča plays the seductive gypsy of the title in her role debut, opposite Roberto Alagna as the obsessed Don José.
The Met stage ignites when soprano Kristine Opolais and tenor Jonas Kaufmann join forces in Puccini’s obsessive love story. Opolais sings the title role of the country girl who transforms herself into a Parisian temptress, while Kaufmann is the dashing student who desperately woos her. Director Richard Eyre places the action in occupied France in a film noir setting. “Desperate passion” is the phrase Puccini himself used to describe the opera that confirmed his position as the preeminent Italian opera composer of his day. Met Principal Conductor Fabio Luisi leads the stirring score.
Richard Eyre’s mesmerizing production of Bizet’s steamy melodrama returns with mezzo-soprano Anita Rachvelishvili singing her signature role of the ill-fated gypsy temptress. Aleksandrs Antonenko plays her desperate lover, the soldier Don José, and Ildar Abdrazakov is the swaggering bullfighter, Escamillo, who comes between them. Pablo Heras-Casado conducts the irresistible score, which features one beloved and instantly recognizable melody after another.
Met Music Director James Levine conducts a spirited new production of Mozart’s masterpiece, directed by Richard Eyre, who sets the action of this classic domestic comedy in a 19th-century manor house in Seville, but during the gilded age of the late 1920s. Dashing bass-baritone Ildar Abdrazakov leads the cast in the title role of the clever servant, opposite Marlis Petersen as his bride, Susanna, Peter Mattei as the philandering Count they work for, Marina Poplavskaya as the long-suffering Countess, and Isabel Leonard as the libidinous pageboy Cherubino.
Two of opera’s greatest artists—Jonas Kaufmann and Sophie Koch —appear together for the first time at the Met in Massenet’s sublime adaptation of Goethe’s revolutionary and tragic romance. It is directed and designed by Richard Eyre and Rob Howell, the same team that created the Met’s recent hit production of Carmen. Rising young maestro Alain Altinoglu conducts.
Richard Eyre’s hit production stars Elīna Garanča as the seductive gypsy of the title, opposite Roberto Alagna as the obsessed Don José. CARMEN "is about sex, violence, and racism—and its corollary: freedom," the director says about Bizet’s drama. "It is one of the inalienably great works of art. It's sexy, in every sense. And I think it should be shocking."